Maison Carrée of Nîmes

Maison Carrée of Nîmes
Photo by Els.

The Maison Carrée in Nîmes is a well-preserved Ancient Roman temple that signifies the impact of the imperial cult in the Roman provinces.

It stood among other religious and political institutions at the heart of the forum of the Roman colony of Nemausus, at a time when Rome focused on consolidating its empire. This first-century building in the classic Vitruvian architectural style has survived in excellent condition.

Community Perspective:  the reviews still reflect that this once was part of a wider nomination of the city of Nîmes; all agreed though that the Maison Carrée is its outstanding monument. The stylistic contrast with the surrounding, later (= very modern) architecture raised eyebrows.

Map of Maison Carrée of Nîmes

Load map

Community Reviews

Write a review


Matejicek

Czechia - 06-Jul-19 -

Maison Carrée of Nîmes by Matejicek

Updates 2021: The state party of France wisely decided to shrink the nomination of Nimes to a single building: Maison Carrée. The new proposal will be under consideration in 2023. I really liked the former temple, Mason Carée, during my visit in 2019, and it is a pity that the surrounding forum almost did not survived: there are only minor fragments of columns shown on the square around the temple. However, it is still favorable situation than in nearby WHS Arles, where only underground porticoes (Cryptoportiques) and a small torso of the temple survived.

On the opposite side of the square, where Maison Carée is located, hyper-modern Carré d'Art has been built from concrete, steel and glass by Norman Foster in 90s.

I cannot decide if this improved nomination will defend its OUV in comparison to other Roman monuments in Mediterranean, however, my thumb UP for Maison Carée!

-----------------------------------

I spent last week of June 2019 in (former) Languedoc-Roussillion region, mostly in Montpellier, for last three days in Nimes, and did short trips to other interesting towns nearby – Arles and Avignon.

Nimes certainly was an elegant city with great monuments such as Amphitheater and Masion Caree, but its beauty somehow shaded in comparison to its neighbors: Nimes was less lively than student town of Montpellier, in which I found also better examples of profane buildings from middle ages and later periods than in Nimes. Roman monuments of Nimes seemed somehow isolated in the rather ordinary streets with ordinary cathedral as compared to compact ensemble of Roman, Romanesque or Gothic structures in Arles or Avignon. The city of Nimes in Roman times was much bigger than today’s historical center, but only few structures survived. There are three main Roman monuments in Nimes: Amphitheatre (very nice and impressive, but also very similar to other Roman amphitheaters), Maison Caree (maybe the most significant monument in Nimes but small fragment of something similar can be found also in Arles on Place du Forum) and Tour Magne (huge tower located on the highest hill of the Nimes was part of its fortification, and one can spot it directly when standing in front of the railway station looking towards the city center; however, it is not clear from the nomination text if it is also included to the core zone). These are completed by smaller structures such as two former gates (I saw Porte d`Auguste only, which was quite interesting but would deserve restoration and better presentation) and Temple de Diane (this structure is also interesting with fine architectonic details). Besides the main antic monuments, the Baroque park of Les Jardins de La Fontaine was my personal highlight in Nimes, but also water basins, fountains and canals outside the Baroque garden and close to the railway station are surprisingly pleasant and interesting. Another surprise for me is that even the railway station building was included in the original nomination as an example of structure from 19th century inspired by Roman monuments, and I must admit that the inspiration from the amphitheater is clearly evident.

To conclude: Despite the presence of several high quality monuments, it would not bring any new aspect to already inscribe ancient WHS in the area. However, I can imagine an inclusion of main Roman buildings of Nimes to Pont du Garde WHS. The entire city center of Nimes should not be definitely inscribed, because the argument that classicist buildings are examples of the inspiration from Roman times is rather poor in my opinion.

 


Els Slots

The Netherlands - 26-Nov-18 -

Maison Carrée of Nîmes by Els Slots

My visit to the TWHS of Nîmes seemed like such a simple plan: fly to Marseille and then drive there in an hour. In Nîmes I then would have an afternoon to see the Roman monuments. But reaching the city this particular last Saturday was hindered by people in 'yellow vests', protesting against the high fuel prices and other issues. All access roads but one had been blocked, so with a huge U-turn (which cost me over an hour extra) I had to enter the city from the north. Even there it was a slow affair. Fortunately all protests that I came across in the south of France went peacefully; I got a free passage twice on the toll roads and a banana in return for the discomfort.

In Nîmes itself, the Musée de la Romanité was my first destination. This is a grand Roman museum that has opened this summer to reinforce the WH candidacy. For 17 EUR I got a combi-ticket that also gave access to the 3 most important Roman monuments of the city: the amphitheatre, the Magne tower and the Maison Carrée.

The museum interior is modern and light. Nice to walk through, but the collection itself I found not that special. Nîmes seems to feel the need to measure itself with the neighbouring cities of Orange and Arles, which are already WHS because of their Roman history. However, ‘Nemausus’ was only one of the many colonies founded by the Romans in foreign lands, in this case an area inhabited by Gauls. The question where it distinguished itself from the others remains unanswered at the museum as well.

The museum can even become an obstacle for WH inscription: ICOMOS found that the visual integrity of the amphitheatre is spoiled by Musee de Romanité. That may be a bit harsh, but it is remarkable how close the two are to each other. The museum has a panoramic terrace which actually is too close and too low to have a good view of the amphitheatre.

The oval amphitheatre nowadays is mainly used for bullfights. In Roman times it was a gladiator arena, something that is still remembered by cardboard information panels and a single tiny exhibition room. It mostly reminded me of an outdated football stadium, with many entries and chilly passageways.

The most beautiful building in the city center undoubtedly is the Maison Carrée , a perfect Roman temple. You can go inside - it has been transformed into a cinema. Every half hour a film about the Roman history of the city is shown. The main characters of this story are Licinia Flavilla and Sextus Adgennius Macrinus: the two whose heads adorn the most beautiful tomb in the museum (see photo 1 above).

Finally I walked on to the Gardens of the Fountain. In a corner of this park, one of the first French city parks, lies another Roman monument: the Temple of Diana. This was probably not a temple at all (a library perhaps?), and certainly not dedicated to the goddess Diana. What now remains is a ruin in a fragile state, partly flooded with water.

The decision to add the Historic Urban Ensemble of Nîmes to the World Heritage List was deferred earlier this year. ICOMOS doubted whether Nîmes is “sufficiently distinguishable from other cities with similar Roman roots” – or at least did not see it proven in the comparative analysis. But it recommended to focus on that Roman heritage angle anyway for a future renomination, as a wider scope including Renaissance, Neoclassical and modern structures would have even less chance of success. I found Nîmes unmistakably French, with grand squares and classicist buildings: pretty pleasant but also nothing special. The amphitheatre and Maison Carrée may be excellent preserved monuments from Roman times, but they did not move me in any way: they are too much connected to mediocre tourist traps.

Read more from Els Slots here.


Clyde

Malta - 29-Mar-14 -

Maison Carrée of Nîmes by Clyde

I visited Nimes in April 2012. I went shortly after Arles and I must say that I very much preferred Nimes overall! There was a reenactment when I was there and the Roman arena was packed and really impressive. The view from the Tour Magne was quite worth it too. I decided to stay overnight and I wasn't disappointed. Should I be in the vicinity, I would gladly revisit Nimes over Arles anytime.


Hubert

Austria - 26-Mar-14 -

Maison Carrée of Nîmes by Hubert Scharnagl

Nîmes is a very recent entry to the French T-list, thus one can assume that there are plans for a nomination within the next years. Nîmes is also part of the T-list site “Les villes antiques de la Narbonnaise et leur territoire”, but there is probably little confidence in a proposal that only includes the Roman heritage. So the approach has been extended to the entire historic city centre with a medieval cathedral and buildings and mansions from the 16th to 19th century. In the description on the WHC website Nîmes is referred to as an example of the influence of Roman architecture on urban planning and architecture of later epochs until today. Stylistic and decorative elements from the ancient times were also used in buildings of the later centuries.

Undoubtedly, the Roman remains are the most important monuments in Nîmes. First the amphitheater: it is very similar to the Arena in Arles, but more complete and better preserved. Second the Maison Carrée: I was even more impressed by this well preserved Roman temple. The Corinthian columns correspond nicely with the modern Carré d'Arts by Norman Foster on the opposite side of the square (photo). The temple is completely preserved, due to the almost uninterrupted use as a church, later as meeting place for the senators, a barn during the French Revolution, an archive and finally a museum. Other Roman remains are the Temple of Diane and the Tour Magne (both in the Jardins de la Fontaine), the remains of the Roman city wall (Porte Auguste, Porte de France), and the Castellum, a circular tank and the endpoint of the Nîmes aquaduct.

The narrow streets in the old town north of the Amphitheatre are also worth to explore. In the area around the Tour d'Horlange and the Cathedral are many mansions with wrought-iron balconies and adorned portals, most of them dating from the 17th to 19th Century. Where possible, you should have a look in the courtyards, some have beautiful staircases.

However, I have some doubt that the concept of a stylistic relation between the Roman remains with later architecture is really convincing and that an inscription would be justified. Nevertheless, Nîmes is worth a detour, if you have some time left after visiting the four WHS in the region. It can easily be visited in a half day from Arles or Avignon.


Site Info

Full Name
The Maison Carrée of Nîmes
Unesco ID
1569
Country
France
Inscribed
2023
Type
Cultural
Criteria
4
Categories
Archaeological site - Ancient Rome
Link
By ID

Site History

2023 Inscribed

2018 Deferred

To do a comparative analysis on the Roman buildings

Locations

The site has 1 locations

Maison Carrée of Nîmes

Visitors

Community Members have visited.

Adrian Turtschi Ah2409 Aidan Coohill Aitia Alex Alexander Barabanov Alexander Lehmann Allison Vies Ammon Watkins Ana Lozano Argo Arnaugir Aspasia Atila Ege Aurora Petan Awkwardkeychanged Bazikoln Bill Maurmann Bin Boppare Buffy Butterflybird Campmany Cgrannem Chen Taotao Chenboada Chenzhiwen Christoph Christravelblog Claire Bradshaw Clyde Coppi Craig Harder Csaba Nováczky Ctravel CugelVance DL DMORMAR Dagmara Damientournay Dan Dan Pettigrew Daniel C-Hazard Daniela Hohmann Danny L David Aaronson & Melanie Stowell David Berlanda Dimitar Krastev Dimitrios Polychronopoulos Dutchbirder Dwight Zehuan Xiao Echwel Ecritures Elaine Ganderton Els Slots Erik Jelinek FK FS Farinelli Feldhase Femke Roos Flexiear Francky D'Hoop G.emma_bae Garyrjtaylor George Gdanski GeorgeIng61 GerhardM Gilles Glubu Gordon Mitchell Gwythyr Hadrianus Harald T. Hasco Hbeswick Hubert Ian Cade Itahue Ivan Rucek Jack Jakob Frenzel Jana and Matt Janina Lehmann Jarek Pokrzywnicki Javier Coro Jduffhue Jeanne OGrady Jeffrey Chai Ran JoStof Joel on the Road Johnson Zhao Jonas Kremer Jonathanfr Jose Antonio Collar Judith Tanner Kbecq Khuft Knut Kutasp Lara Adler Larry F Laurine Loic Pedras Lucio Gorla Luis Filipe Gaspar M. Huineman de la Cuadra MAURO PODDA MH MaYumin Maciej Gil Mahuhe Malgorzata Kopczynska Manuelfunk Marcel staron Marie Morlon Matejicek Mathijs MaxHeAnouBen Mibive Michael Turtle MichaelH Michiel Dekker Misio_pysio MoPython Monica Tasciotti Morodhi Naim Y Nasebaer Opperpco3 Pandapearls Pascal Cauliez Patrik Paul Schofield Peter Alleblas Peter Lööv Philipp Leu Philipp Peterer Phillipmeng Pink Bunny Potsdamer Ralf Regele Randi Thomsen Reddargon Reisedachs RobRos Roger Ourset Roman Bruehwiler Roman Koeln Royacurt Sabrina Liebehentschel Sascha Grabow Sclowitz Sergio Arjona Shandos Cleaver Shijie ZHU Simonf SirLoydd Solivagant Stijn Sue hayton Svein Elias Szucs Tamas Tammy Gouldstone Tarquinio_Superbo Tevity Thibault Magnien Thomas Buechler Thomas Kunz TimAllen Tonisan Tony0001 Travel Addicts Triath Truls Brekke Tsunami V&M Viaje al Patrimonio Voyager WILLIAM RICH WalGra Walter Wojciech Fedoruk Wolfgang Sander Yamen ZZSong Zach Zoë Sheng

The Plaque

  • In front. Left side of stairs (stairs from the road down) - 43.8384081, 4.3562632